Music

Layered Vocals

Posted On: Mon, 2010-01-25 22:07 by sitapatiShare

This post is dedicated to the autotune posse

We spent the weekend on the Gold Coast. There is a lot of Krishna Conscious outreach going on down there, and it was a real pleasure to spend time with people who are enthusiastic and dedicated to sharing the philosophy and lifestyle of Krishna Consciousness with others.

We did kirtan on Saturday night in Surfers Paradise at the Bhakti Centre, and on Sunday in Coolangatta at the Country Women's Association Hall. The Bhajan Babas - Venu Gopal on harmonium and lead vocal, Yamal Arjuna on drums, and Janmastami on bass - played their unique combination of traditional melodies with a solid rock / blues groove rocking the bottom. Super mellow groove.

On the way home we stopped off in Tweed Heads to put some gas in the car. The servo had speakers at the pumps and I heard a song that was total autotune plus something else like a vocoder. Using my iPhone I googled what seemed to be the hook: "Watchya say", and found this:


When we got home I did some more google research (wikipedia), and found out that the song samples this one: Imogen Heap - Hide and Seek (embedding disabled). Below I've embedded a version of the song with the lyrics. However, if you follow the previous link and watch the video with only Imogen's mouth visible you can learn a lot about the expressive vocal techniques she employs, in addition to the melody and harmonies, to give the track strong emotional appeal.


According to the wikipedia article for this song, Imogen uses a Digitech Vocalist Workstation to get the vocal harmonies. You can see her doing it here:


The Digitech Vocalist Workstation works by taking two inputs: a vocal via a mic, and harmonic information from a keyboard via MIDI. The machine then generates harmonies for the vocal line based on the chords being played on the keyboard.

The live version doesn't sound as good as the recorded version because she is singing with a machine that effectively amplifies pitch deviations in her voice, and her singing is pitchy (=a little off-key in places). In the recorded version she has either (a) used autotune to correct the pitch of her voice; or (b) retracked her vocal over and over again until she got it pitch perfect.

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Gaura Vani & As Kindred Spirits with the Mayapuris - Australian Tour '09

Posted On: Wed, 2009-10-14 23:34 by sitapatiShare

After four months of planning and the concerted efforts of devotees across Australia, here it is - the Gaura Vani and As Kindred Spirits with the Mayapuris Australian Tour 2009 .

Here's a rundown of what's happening and when:

Thursday 22nd October

Event: Mrdanga Clinic with the Mayapuris
Venue: Contact Sitapati for details
Time: 3pm - 5pm
Location: Brisbane
Cost: $25 suggested donation

Friday 23rd October

Event: Kirtan concert
Venue: Broadbeach Surf Life Saving Club
Time: 7pm
Location: Broadbeach
Cost: $15/$10 presale from Pashin stores

Saturday 24th October

Event: Maha Kirtan 3
Venue: Graceville State School
Time: 1pm - 8:30pm
Location: 23 Acacia Ave, Graceville
Cost: Free entry - strictly limited numbers: be there early!

Sunday 25th October

Event: New Govardhana Maha Kirtan
Venue: New Govardhana Farm Community
Time: 3pm - 8:00pm
Location: 522 Tyalgum Rd, Eungella
Cost: Free entry

Monday 26th October

Event: Kirtan Concert
Venue: Byron Yoga Centre
Time: 6:30pm - 9:00pm
Location: 51 Border St, Byron Bay
Cost: $15/$10 presale at BYC

Wednesday 28th October

Event: Mrdanga Clinic with the Mayapuris
Venue: Sydney ISKCON Temple
Time: 3pm - 5pm
Location: 180 Falcon St, North Sydney
Cost: $25 suggested donation

Event: Maha Kirtan
Venue: Sydney ISKCON Temple
Time: 5:00pm - 10:00pm
Location: 180 Falcon St, North Sydney
Cost: Free Entry

Thursday 29th October

Event: Kirtan Concert
Venue: Mind Body Life Yoga
Time: 8:00pm - 10:00pm
Location: 55 Foveaux St, Surrey Hills
Cost: $20/$15 presale

Saturday 31st October - Sunday 1st November

Event: 24 Hour Kirtan
Venue: ISKCON Melbourne temple
Time: 4:00 pm Sat - 10:00pm Sun
Location: 197 Danke St, Albert St
Cost: free entry

Tuesday 3rd November

Event: Kirtan Concert
Venue: Urban Yoga
Time: 6:00 pm
Location: 123 Swanston St, Melbourne
Cost: tba

Function 2 - Children

Posted On: Mon, 2009-09-14 09:04 by sitapatiShare

This is the fifth post in my series on Building a Krishna Conscious "Mega Church". See also the previously published Part 1, Part 2, Part 3, Part 4, and Part 5.

Note: Since I wrote this a couple of weeks ago, I've been thinking about various programs that we are doing here in different venues. In the case of the temple I think Children is Function 2 after sound. In the case of the Sunday Feast and Krishnafest at our house I think that Presentations is Function 2. This doesn't mean that one is more important than the other, it's just the order of implementation. In the case of the Sunday Feast, for example, Presentations is a low-hanging fruit. On the other hand there are not facilities for easily spinning up a Children's Program there. In the case of the temple, there are plenty of children, and potential facilities for a Children's Program, so there it's both easier, and a greater imperative.

Also, someone mentioned a kitchen in response to an earlier post, the one about Sound. I have put a kitchen in a separate category of functions, and we'll come back to it later. OK, on with today's show...

Function 2 - Children

I'm going to go out on a limb here and put Children as function 2, rather than Presentations. In places like Gaura Yoga [website] and the Loft [website] in New Zealand they focus on Sound and Presentations, and have no facility for children. That works fine as center for young, single people. But eventually those young, single people are going to become married couples with children, so they will need some facility.

That doesn't mean that Gaura Yoga and the Loft will have to transform, but the organization will have to build out its capability to service those needs in some facility.

Personally, in working within an existing community, I'm focusing on sound first, then children second, rather than presentations.

My friend Krishnapada put it like this: "If McDonalds have facilities for children I think we should too".

Think about this. Let's say that you have a facility to which 400 adults and youths will come at a time. Let's say that half of them are married couples. So that's 200 people, or 100 couples. Let's say that on average they have 1 child - some will have none, some will have two or three. That's 100 children for 400 people.

Of course you could have a facility that is not child-friendly, but that's hardly making it easy, is it?

Here are two other points:

1. People sometimes ask me why I am so enthusiastic in Krishna Consciousness. It's simple. When I was a kid my mother raised me reading the Bible, and then sent me every weekend and every school holiday to a Bible camp, school holiday program, or youth group event, where they poured resources, attention, and intention into the program and the children on it. If you want to influence the value structure of a generation of devotees then you have to look after the kids. If you want to keep recruiting first generation devotees who were raised as atheists, then don't worry about them.

2. If you want parents to come back, then you provide something for their kids. McDonalds understand this. Krishnapada told me that his 4 year old son Shyam points to McDonalds and says: "I want to go there", just from seeing it from the outside - he's never been in. It's so attractive. McDonalds understands: get the kids, and you get the parents. Now, if you can give the children a valuable formative experience based on solid moral principles and values, what parent is going to say no to that?

For children's facilities you actually need more personnel, energy, money, and planning than you do for the adults. Children require more diversity of activities and facilities. You cannot put 400 children together in a big room for an hour and deliver one experience for them all. They need to be segregated and provided with an age-appropriate experience.

At Buckhead Community Church, which has facility for 3000 adults, they have one auditorium for the adults, and four floors of facilities for the children.

Each of those floors contains age-appropriate facilities for children from toddlers through to teenagers. On the first floor for the younger children they have a small stage/auditorium area where they do a Wiggles-type presentation [wikipedia article on the Wiggles], before splitting the children into groups in rooms where they play with toys and do other activities. In this way they have both a large group experience and a small group experience each week.

You can see a bunch of pictures and a video that I took of the young children's facilities when I visited this church in 2007 here.

At Buckhead, which is one of Andy Stanley's churches, along with Northpoint Community Church, they understand that people have different needs at each phase of life, for example, as a child, as a new believer, as a newly-wed, as an adult, as a father, etc. They distill this down to three essential messages that they repeat the these people over and over again in a variety of ways. For the youngest children it boils down to: "God Loves Me. God Made Me. Jesus Wants to Be My Friend For Ever".

Taking a cue from this, each year since he turned 5, I've taught Prahlad an additional prayer that we recite each night before sleeping. We now recite four prayers together (actually 5, because I also taught him Our Lord's Prayer from the Bible). In these prayers I have encapsulated what I discern as the essential devotional philosophical underpinnings that are most appropriate for him to imbibe at that time.

The Maha Kirtan for Kids program [poster | program] here on September 13 is the beginning of this. We've got the sound system to a certain level now, and it's time to put some energy into our program for the children.

The current temple design that we are working with has zero, as in no facility for children. It's based on a design for a bunch of single people to cram into an ashram and go out until they flame out.

A purpose-designed facility has sufficient spaces to facilitate age-appropriate programs for the number of children who come based on the number of adults who are facilitated. The program that goes on in that facility needs to dedicate sufficient resources as in personnel and money to that program to make it work.

For the older youths there is a section upstairs, as mentioned previously, with their own sound system and stage, and also break out rooms for small group discussions. It's an expanded version of a Loft preaching center, like Gaura Yoga or the Loft in New Zealand.

Conclusion: Invest heavily in children's facilities and programming.

Next: Function 3 - Presentations.

Maha Weekend of Kirtan

Posted On: Sun, 2009-09-13 20:26 by sitapatiShare

Here are some mp3s from the weekend:

These mp3s are all recorded from the live stream that was played on Kirtan Radio.

We're working on making a CD-quality listening experience for you for the 24 hour kirtan in Melbourne on Oct 31 - Nov 1.


Bachhu Krishna Shrestha


Tina Hirani


Maha Kirtan ki jay!

The photos above were taken by Ananta Vrndavan. There are a bunch of good photos from both events. I'll post a selection later.

Sunday Feast Kirtan: Maha-mantra das

Posted On: Mon, 2009-06-15 20:11 by sitapatiShare


Here's the final, stand-up kirtan of the Sunday Feast, ably lead by Maha-mantra das.

It's a simple four mic affair: a Shure WH-30 condenser headset mic for the lead vocal, a Behringer C2 condenser for the room, and a couple of Shure SM58s - one for the backing vocal (Param Satya and Prahlad), and one for Sridhar's saxophone.

If I'd had time to set up (this is just straight after the "stage" kirtan), I would have set up two additional mics - another C2 for a stereo image, and an omnidirectional condenser for more of the room, which would have helped to put more drums in it - I could have taken all the top end off that one and boosted it up to put more bass in the mix.

I've mastered this one really hot, and left the cartals in their full glory (I usually put a low pass filter on the room mics to bring them down). The vocal is so high that it's still the most prominent element, and that's the most important thing - the chanting.

Enjoy!
- Sitapati "That's me playing the chimptas" das

Sunday Feast Kirtan

Posted On: Sun, 2009-06-14 21:27 by sitapatiShare


Here's a recording of Radha-ramana-hari from last night.

A few of things about this recording:

1. The main vocal is a bit distorted. This is because I used an extreme microphone technique, super close to the mic. I did this because for the two preceding kirtans I was manning the desk (as you can see from the video above). When it came my turn to sing I was in a different position and it sounded as though my voice wasn't coming through the PA. I had set up a foldback monitor (the Roland Street Cube) - but since things were running late (let me just add that I was personally on time) there was no time to soundcheck. In fact my voice was coming through at a normal volume, and my close miking caused the signal to clip.

2. The first part of the kirtan kicks up quite a few bpm when the tabla comes in. We'll need to practice this for the July 3 gig at Fusion, including some time with a metronome for me, I think. I am also going to separate the two melodies, so the first Hare Krishna kirtan will get a part C and maybe D, and Radha-ramana-hari stays as it is with Parts A (Radha-ramana-haribol), B (Sri Krishna Govinda...), C (Hare Krishna low), D (Hare Krishna high), and E (Sri Krishna Govinda high).

3. Without the sound check I wasn't able to get things set up nicely, but I think the two things that I could have done to make the sound better would have been to EQ the room using a graphic equalizer on the whole mix, and move the mixing station further back. Doing that will require a multicore - I'm going to look into that soon.

Bolo Radha-ramana Hari Bol!

Posted On: Sun, 2009-06-14 02:51 by sitapatiShare

Here's a video and a recording from last night's kirtan.



The kirtan is one of my mash-ups. It's constructed from a song I really liked in the 80's, a tune from Jai Uttal, and a song that was always playing on the bus when I lived in Perú. This take was a bit of a practice for tonight's Sunday Feast. Since the album isn't out yet peeps don't have the opportunity to thrash it on their iPods, and so they're learning the phrasing and melody by the old school method - trial and error and listening and repeating live. Vraj was also working out the bass line as we went. He came up with some funky stuff.

I'll record tonight's kirtan too, and we'll see how they compare.

Enjoy!

-Sitapati "The only thing liberal about me is my use of the T-pain effect" das

Gaura Vani and As Kindred Spirits: Ten Million Moons

Posted On: Wed, 2009-05-13 06:04 by sitapatiShare

Thursday May 14th sees the worldwide release of Gaura Vani & As Kindred Spirits' [website] new album "Ten Million Moons".

I've been listening to my pre-release copy for a couple of weeks now, and thought I'd take some time to write a brief review.

First of all my congratulations to Gaura and the crew for this release. I have to admit that in some inconceivable fashion I was simultaneously and spectacularly under- and over-whelmed by their first release, Nectar of Devotion. If I had to select a single characterization for that album it would be "inconsistent".

Nectar of Devotion had some stunningly outstanding tracks - the deeply emotional Je Anilo Prema Dhana and Vaisnava Thakura come to mind. It also had some "wtf?" moments, like Gurudev, and the seemingly tacked-on Maha-mantra (Live Recording).

I kept my mixed opinion of Nectar of Devotion to myself until after I heard Ten Million Moons, at which time I shared it with Param Satya, my wife. She came back with: "that was an album? I thought it was a random bunch of songs you'd thrown together in a play list!", which pretty much sums it up.

With Ten Million Moons Gaura Vani and As Kindred Spirits are beginning to hit their stride. I'm not afraid to share my mixed opinion of the first album now and to say that this new album is light-years ahead of it, a shining testament to the hard work and dedication of the group.

The new album still generates moments of disorientation - am I listening to the same group or is it a mixed playlist? However, the production values are consistent, and there are no "say what?" moments on this album - each song could stand on its own. It's the wide variation in style and instrumentation (especially lead vocals) that causes the album to diversify beyond the standard range of an album from a "single artist". But in those moments the album is almost like a party at Gaura's place with everyone taking turns to lead kirtan with him encouraging them from the side. There's the same blend of traditional Vaisnava bhajan, reflecting the cultural and spiritual tradition that Gaura and the guys are coming from; and more of the group's developing "voice", a take that reflects the contemporary American urban environment.

It's this developing voice that is most interesting to me. On Nectar of Devotion it felt a little forced, almost like an arbitrary attempt to do something, anything, different from the traditional bhajan formula. On this album they are starting to integrate other musical traditions and elements and develop a unique take on Gaudiya Vaisnava bhajan. That's exciting.

The production values are high - clearly a lot of hard work has gone into crafting this offering. The album was engineered in part by Ben Leinbach [website], multi-instrumentalist, music producer, and a familiar name in the US kirtan/yoga scene. It has a lot of bottom end for my taste - perhaps an attempt to make it sound heavy and full. I would have rolled off some of the bottom end during mastering myself. I A/B tested it on my studio monitors with the new Guns N'Roses album Chinese Democracy and Moons definitely has a lot more bass. Playing it through the dining room stereo system (Altec Lansing speakers with sub-woofers) it needed some EQ to be listenable, and it definitely wasn't background music for dinner, filling the entire sonic spectrum.

It's a big sound, with a lot of instrumentation, and one that demands and rewards careful listening. There are virtuoso performances galore with guest appearances by a number of names in the kirtan scene, including soul singer C.C. White, Visvambhara, who contributes some Indian vocal percussion, and some sarod playing that sounds like it could be Jai Uttal. The star-studded lineup is a testament to Gaura Vani's personal expansiveness.

I played a couple of nights with Dave Stringer and his percussionist Patrick Richie here in Australia earlier this year. After the first night Patrick gave me the Gauravani.com Kirtan t-shirt that Gaura Vani gave him when they played together at the Chant for Change concert in DC. It's a big shirt - too big to fit me, but it hangs in my studio where I look at it each day. Gaura's obviously a big guy, and he has a big heart, one that is evident in the community that he has created around this album.

Gaura Vani's heart comes through in his vocal performances on this album too. The stand-out tracks for me on Nectar of Devotion were ones where he just laid it bare, and there are tracks on Ten Million Moons where he again pours his soul onto vinyl. When I first heard him sing the refrain: "Hare nama eva kevalam" on the second track of the album, Moods of Kirtan (Siksastakam), the hairs on my body stood on end and I knew that they had nailed it with this release.

The voice of Acyuta Gopi, the other principle vocalist in the group, has changed from the first time I heard it - it has a fuller body and more confidence. In a sense it embodies the character of the group that is really starting to gel with this album - it's steeped in the cultural and musical tradition of India, and at the same time fully American. The naming of the tracks on the album, with an English name followed by the Sanskrit source, reflects this simultaneity.

The most exciting thing for me about this album is the progressive discovery and development of a unique voice in contemporary kirtan, one solidly connected with the tradition of the past, and at the same time retransmitting that tradition in the light (and sound) of today.

For me, coming from the same spiritual tradition, the lyrical content is familiar and beloved, while the arrangements are fresh and unique - different not simply to be different, but different because they come from a unique group of people discovering their unique collective voice.

I am eagerly awaiting the next installment, and I urge you all to get a copy of Ten Million Moons.

Track Listing:

  • 01 My Body is a Temple (Krishna Murari)
  • 02 Moods of Kirtan (Siksastakam)
  • 03 Stop and Talk (Hey Natha)
  • 04 Miras Song (Mharo Pranam)
  • 05 Ten Million Moons (Nitai Pada Kamala)
  • 06 Sleeping Soul (Jiv Jago)
  • 07 Surrender
  • 08 Where Was I Last Night? (Nami Danam Chi Manzil)
  • 09 Pirate Song (Dina Dayal)
  • 10 Worship the Golden Lord (Bhaja Gauranga)
  • 11 Thunder and Lightning (Radha Krishna Pran)

Ten Million Moons is released on Thursday May 14, and is available from Gaura Vani's website.

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  1. "Whether I realize it or not, it is for self-purification that I write this blog."


Sita-pati das



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